The RX100 IV can capture super slow-motion HFR videos at up to 40x slower than real-time. The brand’s HyperSmooth digital image stabilization, TimeWarp 3.0 for real and half-speed capture and ease of use make it a top choice for a basic slo-mo camera. This means you can playback footage at 1/8th of the speed-1 second becomes 8.
#Make video slomo 1080p
The GoPro Hero9 Black action camera shoots an impressive 240 fps at 1080p and 60 fps at 4K. The best cameras for slow-motion Basic GoPro Hero9 Black Then move on to shooting more dynamic subjects like athletes and animals. Practice shooting people or objects you can direct and control, such as hair blowing in the wind or water pouring out of a pitcher into a glass. Plan your shot beforehand, framing your subject precisely, then tap the focus square to lock focus. You don’t want to cause the camera to lose focus or blur your image through motion. Some phones simply indicate the option as “slo-mo” or “slow motion.” Keep in mind that slo-mo clips are bigger in file size, so it’s better to limit them to 10 or so seconds in length. To shoot slow-motion on your phone, first, locate the frame rate settings. Lock-off focus and exposure to avoid changes in either while subjects are moving fast.Ĭonsider how light dramatizes movement, such as in this clip of a woman walking on a sun-drenched beach: So, you’ll need to determine the best combination of frame rate and resolution for your particular scene or video. Keep in mind that most cameras will shoot higher frame rates in 1080p than in 4K. Standard slow motion is shot at 60 fps, while super slow motion goes up to 1,000 fps.
#Make video slomo how to
It’s not usually a problem you can fix in post! How to shoot slow-motion on your cameraįirst, locate the settings that control frame rate. That’s why you need to pay attention to frame rate when shooting. You can slow 960 fps down to 3%, creating super slow motion.Ĭan you slow down footage that wasn’t shot in a frame rate higher than 30 fps? Technically, yes, you can, but it won’t look good.
The more frames per second you can record, the more detailed and sharp your slow-motion will appear. For example, if you record 60 frames per second, you can slow it down by half 120 frames can be retimed to 25%, and so on. If you want that motion to appear slower, you need more images to make up the 24p timeline. If you flip 24 to 30 pages of a book in one second, the images appear to be in motion. You can think of a video sequence like a flipbook. Most video is displayed at 24 to 30 frames per second. The frame rate is the rate at which the camera records images. Video is nothing more than multiple still images, or frames, stitched together in quick succession, creating the illusion of motion. That’s more frames per second than even $3,000 DSLRs from Sony and Panasonic. And with the advent of the iPhone and its 240 fps (frames per second), even super slo-mo is possible. Shooting high-quality slow-motion used to be impossible without expensive cinema cameras, but the democratization of content creation has only been possible because cameras have gotten cheaper and faster. For example, there’s a huge visual impact in slow-motion of an explosion’s pyrotechnics or the wingbeat of a hummingbird.
Slo-mo is often used to dramatize emotion and set a mood, but it’s also used in action films and nature videos. Slow-motion video can accomplish different things for a filmmaker.
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